簡(jiǎn)介：　　兩名偵探觀察了一名逃犯的前女友，但當(dāng)其中一人愛上她時(shí)，情況就變得復(fù)雜起來(lái)。

簡(jiǎn)介：　　Novelist Larry Donner (Billy Crystal) struggles with writer's block due to his resentment towards his ex-wife Margaret (Kate Mulgrew), who stole his book and garnered mainstream success and critical acclaim with it. Owen Lift (Danny DeVito) is a timid, middle-aged man who still lives with his overbearing, abusive mother (Anne Ramsey). Owen fantasizes of killing his mother but can't summon the courage to bring his desires into fruition. As a student in Larry's community college writing class, Owen is given advice by Larry to view an Alfred Hitchcock film to gain some insight into plot development. He sees Strangers on a Train, in which two strangers conspire to commit a murder for each other, figuring their lack of connection to the victim will, in theory, establish a perfect alibi. Having overheard Larry's public rant that he wish his ex-wife dead, Owen forms a plan to kill Margaret, believing that Larry will respond by killing his mother.　　He tracks Margaret down to Hawaii and follows her onto a cruise ship, apparently pushing her overboard while she tries to retrieve an earring that fell out. Owen returns from Hawaii to tell Larry of Margaret's death and that Larry now "owes" him the murder of his mother, lest he inform the police Larry was the killer. After having spent the night drinking alone during the hours of Margaret's disappearance, Larry panics because he lacks a sufficient alibi. That, along with a news report announcing the police suspect foul play, convinces Larry he's the prime suspect. He decides to stay with Owen and his mother in an attempt to hide from the police. Larry meets Mrs. Lift, but despite her harsh treatment of him he refuses to kill her. Eventually, when Mrs. Lift drives Owen to the breaking point, Larry finally relents and agrees to go through with the murder.　　After two unsuccessful attempts, Larry flees the Lift home when Mrs. Lift recognizes him as a suspect from a news broadcast about his ex-wife's disappearance. He boards a train to Mexico and, surprisingly, Owen and Mrs. Lift come along so as to avoid having to lie for him. During the journey, Larry's patience with Mrs. Lift reaches its pinnacle when she impolitely gives him advice on writing. He follows her to the caboose with the intent of throwing her from the train, but stops short when she almost falls off on her own. Owen begins having second thoughts about having his mother killed and comes to help Larry rescue her. Mrs. Lift is grateful at her son for saving her, but unappreciative of Larry's help and kicks him, resulting in him losing his balance, landing on the tracks, and breaking his leg.　　During his recovery in the hospital, Larry discovers Margaret is still alive; she simply fell overboard by accident and was rescued by a Polynesian fisherman whom she has decided to marry. Much to his annoyance, Larry learns Margaret plans to sell the rights of her ordeal for $1.5 million dollars. On the advice of a fellow patient, Larry chooses to free himself of his obsession with his ex-wife and instead focus on his own life, thereby freeing him of his writer's block.　　A year later, Larry has finished a novel based on his experiences with Owen and Mrs. Lift entitled Throw Momma from the Train. Owen visits and informs him that his mother has died (of natural causes) and that he's going to New York City for the release of his own book. Unfortunately, Owen reveals his book is also about their experiences together. Thinking his book has been scooped, an enraged Larry proceeds to strangle him, but stops when Owen shows him the book is a children's pop-up book called, Momma, Owen, and Owen's Friend Larry with the story drastically altered to be suitable for children. Months later, Larry, Owen, and Larry's girlfriend Beth (Kim Greist) vacation together in Hawaii, reflecting on the final chapter of Larry's book. Larry and Owen's books have now become best-sellers, making them both successful writers as well as close friends.

簡(jiǎn)介：　　板倉(cāng)亮子（宮本信子 飾）是港町稅務(wù)署的調(diào)查員，她工作認(rèn)真負(fù)責(zé)，但在收到一位老婆婆的指責(zé)后，她不再將目光停留在普通老百姓身上，而是轉(zhuǎn)移到大的商會(huì)上面。在她鍥而不舍的追查下，許多狡猾的公司老板紛紛現(xiàn)出原形。不過(guò)亮子也有為難的時(shí)候，經(jīng)營(yíng)旅館業(yè)的權(quán)藤英樹（山崎努 飾）就是一條狡猾的老狐貍，任憑亮子怎樣調(diào)查也找不到蛛絲馬跡?！　〔痪煤?，亮子因工作出色被調(diào)到國(guó)稅局偵查科，她和同事齊心協(xié)力偵破不少偷稅案件。隨著一同匿名舉報(bào)電話的到來(lái)，權(quán)藤的案子再次提出，亮子決心將其偷稅事實(shí)徹底查清……

簡(jiǎn)介：　　某宗教團(tuán)體天之道法人代表鬼澤鐵平（三國(guó)連太郎 飾）籍著宗教法人不用納稅的法律漏洞作掩護(hù)，將從其他行業(yè)得來(lái)的黑金以宗教名義藏匿起來(lái)，并且過(guò)著奢華淫糜的生活。國(guó)稅局得知消息，派出偵查科的坂倉(cāng)亮子（宮本信子 飾）調(diào)查此案。亮子與東大畢業(yè)的新人三島（益岡徹 飾）幾經(jīng)周折，艱難取證，然鬼澤狡猾非常，調(diào)查工作困難重重?！　×硪环矫妫頋膳c政治家、地產(chǎn)商人、銀行家和黑社會(huì)相互勾結(jié)，為了得到某塊土地對(duì)這里原有的住戶進(jìn)行恐嚇與騷擾，手段惡劣，無(wú)所不用其極?！　∵@次亮子面對(duì)著一群比當(dāng)年權(quán)藤英樹更加難纏和狡猾的對(duì)手……

簡(jiǎn)介：　　故事分成三個(gè)章節(jié)：主要的章節(jié)由高達(dá)親自飾演導(dǎo)演，正要趕乘飛機(jī)，在24小時(shí)內(nèi)把一部電影的菲林交給監(jiān)製；同時(shí)一隊(duì)二人流行電子音樂組合，不斷排練歌曲，最後在路上表演；另一邊廂，愚笨的大肥佬捲入一宗事件，被神秘女人密切監(jiān)視，最後更被拘捕。三段故事看似毫無(wú)關(guān)連，實(shí)際是高達(dá)以電影來(lái)討論電影製作和藝術(shù)創(chuàng)作的重要。片名看似帶有弦外之音，就像高達(dá)暗示，假如監(jiān)製或其他人要干擾導(dǎo)演的藝術(shù)創(chuàng)作，就索性我行我素，忠於自己的道路好了。這大概亦示範(fàn)了高達(dá)如何純熟地運(yùn)用電影媒體來(lái)做評(píng)論。　　A film in three chapters: Godard plays the director in the main chapter, rushing to catch a plane to pass the negatives to his producer within 24 hours; an electronic duo keeps rehearsing for their roadshow; a clumsy fat man gets involved in an incident, and is arrested after being watched by a mysterious woman. Seemingly unrelated events, Godard is discussing the importance of film producer and artistic creativity. Godard is making the statement that if a producer or anyone interferes with creativity, it is better for the artist to go one's own way. A showpiece of how Godard uses the film media as his critical essay.

簡(jiǎn)介：　　露絲（Sara Walker 飾）和露希爾（Andrea Burchill 飾）的母親海倫（Margot Pinvidic 飾）將她們托付給了兩人的外祖母之后，選擇了自殺身亡。一晃眼七年過(guò)去，外祖母也去世了，露絲和露希爾成為了無(wú)依無(wú)靠的孤兒，還好她們的姨祖母希維爾（克里斯汀·拉蒂 Christine Lahti 飾）收留了兩個(gè)可憐的孩子，雖然希維爾是一個(gè)喜怒無(wú)常非常古怪的女人，但是如果沒有她，露絲和露希爾就將面臨被送進(jìn)孤兒院的悲慘命運(yùn)?！　÷督z和露希爾常常和希維爾之間發(fā)生沖突，一天，在又一場(chǎng)激烈的爭(zhēng)吵之后，憤怒的露西選擇了離家出走，而對(duì)希維爾尚且還有一絲期望的露希爾選擇了留下。