簡(jiǎn)介：　　阿全是一個(gè)社會(huì)白領(lǐng)，每天做著同樣的工作，走同樣的路，生活一塵不變，性格孤僻，冷漠的一個(gè)人。他的工作就是接電話。女孩思琴本身是一個(gè)性格開(kāi)朗，樂(lè)觀，對(duì)生活充滿了信心，也是一名電話接聽(tīng)員，對(duì)于所有的客戶，都非?？捎H，認(rèn)真的對(duì)待每一天?？墒且?yàn)榕c阿全的認(rèn)識(shí)，女孩思琴猶豫再三決定不再幫老板完成后面的任務(wù)。并且兩人得到了一種相互的救贖。

簡(jiǎn)介：年輕富豪林俊杰（張學(xué)友 飾）白手起家，與契爺姜相依為命，林對(duì)愛(ài)情既認(rèn)真又執(zhí)著，無(wú)奈身邊的女性只為他的金錢而親近他，令林心灰意冷。林因錯(cuò)愛(ài)城中美女 JOSEPHINE而失戀，失落時(shí)偶遇一性格爽朗的化妝小姐戚瑤君（張曼玉 飾），陰差陽(yáng)錯(cuò)下，戚對(duì)林暗生情愫，但林已無(wú)心再戀，對(duì)戚一直保持距離，戚同居女友PAUL 一直從慫勇戚追求林，以求富貴。戚被林聘請(qǐng)到其公司工作，二人日久生情，雙雙墜入愛(ài)河，無(wú)奈一次林外出公干，無(wú)意中誤會(huì)戚只為了他的金錢而相愛(ài)，對(duì)他對(duì)戚愛(ài)意大減，但也愿意向戚求婚，但戚知道林誤會(huì)了她對(duì)林的真愛(ài)，更傷心的拒絕了林。二人分手后，各自神傷，林終于明白到愛(ài)情真締，到戚的化妝公司向她表達(dá)愛(ài)意。

簡(jiǎn)介：　　為了寫出一個(gè)好的故事，一個(gè)有性癮的記者米奇開(kāi)始了解一個(gè)在酒吧攬客的應(yīng)召女郎娜塔莉，而娜塔莉是斯坦福大學(xué)的畢業(yè)生，在她身上究竟發(fā)生了什么，隨著對(duì)娜塔莉的了解逐漸深入，米奇發(fā)現(xiàn)自己慢慢愛(ài)上了娜塔莉......

簡(jiǎn)介：　　Malaal is the story of Shiva and Astha, two very different people from contrasting backgrounds who experience the innocence of love. Does their love find its destination qiwan.cc or do they part ways? Stay on this journey to find out.

簡(jiǎn)介：　　本片改編自王朔小說(shuō)《過(guò)把癮就死》。　　杜小桔（徐靜蕾）和王毅（佟大為）結(jié)婚后，相識(shí)、戀愛(ài)中被遮蔽在陰影里的問(wèn)題全曝光在了陽(yáng)光下。杜小桔認(rèn)為愛(ài)情高于一切，婚姻更是愛(ài)情的立方級(jí)，“神經(jīng)兮兮”地整日要王毅說(shuō)“我愛(ài)你”，王毅認(rèn)為愛(ài)情同請(qǐng)客吃飯沒(méi)本質(zhì)區(qū)別，結(jié)了婚愛(ài)情有或沒(méi)有是一回事，最煩的事是張嘴對(duì)杜小桔說(shuō)出“我愛(ài)你”。于是，杜小桔的吃醋和找茬成了一劑劑調(diào)節(jié)兩人平淡婚姻生活的佐料，而她的反目和出走，則是不想讓日子越流越成死水。

簡(jiǎn)介：　　Siskel and Ebert once ran a special show entitled "Movies I'm Embarrassed to Admit I Liked." I suppose that if I composed such a list of guilty pleasures, this one would be one of them . . . but upon reflection, it's really a lot better than that. Fifteen year-old science prodigy Mitch (Gabe Jarret) is recruited by ambitious college professor William Atherton (in yet another of his patented roles as a loathsome character) to work on the professor's prize laser project, not knowing that the prof is really developing a government weapon. Along the way, Mitch is befriended by Chris (Val Kilmer), another prodigy a few years his senior who teaches the Mitch how to loosen up.　　This could have degenerated into nothing more than just another teen revenge comedy, but there's so much more: the dialogue is laced with sharp wit; there are some lovely scenes that have nothing to do with the story yet are carefully set up, almost as blackouts (e.g., Mitch goes to a lecture at which a few students have left tape recorders instead of attending; later, at another lecture there are more tape recorders than students; and, in a final scene, one large tape recorder gives the lecture to a room populated by nothing but other small recorders!); and throw-away scenes that make you want to stop and back up the tape (e.g., Chris off-handedly cutting a slice off a bar of solid nitrogen to make a slug for the coffee machine).　　It's also one of the few movies to boast the presence of the memorable Michelle Meyerink -- as Jordan, the "girl-nerd" who made being smart and female something to be emulated. And there's Tears for Fears great song, "Everybody Wants to Rule the World" providing the perfect coda as the closing credits begin to roll . . . . Yes: really now, what's there to be embarrassed about?