簡(jiǎn)介：　　改編自川村元?dú)獾娜藲庑≌f(shuō)，精神科醫(yī)生藤代（佐藤健 飾）正在準(zhǔn)備婚禮，而10年前交往的戀人春（森七菜 飾）從玻利維亞、捷克、冰島依次寄來(lái)了寫(xiě)滿初戀回憶的信件。這時(shí)，他的未婚妻彌生（長(zhǎng)澤雅美 飾）突然消失，藤代開(kāi)始尋找著所愛(ài)之人的真相。

簡(jiǎn)介：影片講述知名滑雪選手凌風(fēng)因一場(chǎng)事故，職業(yè)生涯陷入谷底，為了挽救自己熱愛(ài)的事業(yè)，重返家鄉(xiāng)回到起點(diǎn)，在一群青年雪友的幫助下，一邊尋找恩師，一邊找回初心與勇氣，最終突破極限，破繭蛻變的故事。

簡(jiǎn)介：一位量子物理學(xué)家發(fā)現(xiàn)自己胸腔里長(zhǎng)出了一個(gè)奇怪的黑洞，僅剩一周的生命，而同時(shí)也因此不停地循環(huán)這一周的時(shí)光被困在了循環(huán)時(shí)空之中。當(dāng)她遇到一位天才學(xué)生時(shí)，她們兩人打算聯(lián)手拯救自己的生命并揭開(kāi)時(shí)間旅行的神秘面紗。

簡(jiǎn)介：　　恍如希臘神話代達(dá)羅斯的迷宮，別出心裁的螺旋形設(shè)計(jì)時(shí)裝表演，令升任高級(jí)時(shí)裝品牌藝術(shù)總監(jiān)的艾利斯，繼承大師成為巴黎時(shí)尚界新寵。棄絕過(guò)去一切，自我孤立另創(chuàng)新天，但當(dāng)父親死訊倏然傳來(lái)，他不得不返回魁北克故居處理后事，不料發(fā)現(xiàn)令人震驚的秘密。害怕天之驕子蠟造翅膀被溶掉，他唯有承傳父親罪孽，直墜無(wú)間地獄。延續(xù)《監(jiān)護(hù)權(quán)爭(zhēng)戰(zhàn)》對(duì)父權(quán)暗黑暴力的探索，勒格朗混合新黑色、驚栗、懸疑等類(lèi)型，層層旋入男性心理黑洞，撰成現(xiàn)代悲劇神話。

簡(jiǎn)介：《白日之下》是一部真實(shí)事件改編的電影，講述了新聞社接到關(guān)于“彩橋之家”殘疾院舍的虐待線報(bào)。為深度揭露殘疾院舍內(nèi)的非人道生活和監(jiān)管問(wèn)題，一名記者決定潛入院舍，展開(kāi)一場(chǎng)尋求真相的行動(dòng)。

簡(jiǎn)介：　　Synopsis　　In the Allegory of the Cave, Plato ponders: what would happen if one of the prisoners managed to free themselves from their chains and escape from the cave? What if that prisoner were Jay, a little 7-year-old boy?　　Director’s statement　　What lies behind the daily movement of a city? Last winter, we met in Paris and began discussing the Allegory of the Cave, as told in Plato’s Republic. The myth imagines humanity living in chains, facing the back of a cave, and watching shadows move on the walls, thinking it is reality. We both work with images, which certainly can be illusions, but can also become instruments of struggle and liberation of thought. So, from this discussion, we decided to create a short film. We had a few fixed ideas—the cave, the dance, the city bustling around us—and one question: what would happen if we all managed to turn together towards the exit of the cave? Perhaps it is not enough to assert that images are illusions as long as the chains that bind us are real.